»I was revived, enthused, even made
ecstatic by seeing Glyndebourne’s
Le Nozze di Figaro….

The conducting of Thomas Rösner
must take much of the credit…
For sheer musical and dramatic
intelligence and for showing the proper respect for a work of utmost genius, this was, in all respects, as close to ideal as
I ever hope to witness.«

Michael Tanner, The Spectator